By New Times
By Derek Askey
By Mark Deming
By Serene Dominic
By Jason Keil
By Robrt L. Pela and Amy Silverman
By Jeff Moses
By Serene Dominic
All right. I begged you to send in tapes, and here, at last, are a few opinions. If you submitted something and it isn't mentioned, don't despair. There'll be more to come. Mention the Piersons to anyone who's heard of them and you'll usually get this response: "Oh yeah, they're like the Replacements." Yes, it's true, the sons prop themselves up at the same bar of inspiration as the late Mats did. If that doesn't bug you outright, then you've got a good band here. The group's tape Last Chance Gas (co-produced with Doug Hopkins) drives as hard as a Sunday-morning hangover on tunes like "Helen Reddy" and "Caroline." For my money, the standout track is "Not Now Alice," perhaps all the more powerful for its lack of obvious rock factor. Pat Pierson's tar-and-nicotine vocals are strong throughout; all the Piersons need to do now is get original. By the way--damn good-sounding recording, and, when it comes to reviewers and A&R types, don't ever underestimate the merits of that. 967-0715 for info.
Wait a minute, make room at the bar for Skinny Jim. The group's tape Worse Than Daytime TV has a song titled "Hooking Up in Beertown" that bears the subtle chorus "This is what a friend is for, pick me up and make me drink some more." Well. Jim has tons of Hsker D-type energy that comes across live and on tape. Vocal flaws evident on tape are masked by the white-boy rage of live performance. Singer-guitarist Kak seems to be continually pushing his range, and coming out flat. Best song is the hooky "Babble of a Barfly," in which he tones down a bit to great effect. 967-0949. Chimeras singer Lawrence Zubia has a plaintive, emotional, raspy voice, and he knows how to use it. My only beef is that after four songs--on tape, at least--it gets to be a bit heavy-handed. The band is loose and tight at the same time, no easy feat, in an I-don't-care-if-it's-last-call-we're-playin'-all-night way. Shades of Mick Taylor-era Stones, and power-gum popsters like Bryan Adams and Bon Jovi. Only with more soul. Tunes "C-Song" and "Violins and Guitars" are great. 730-0697.
The Mesa quartet Fungi's does something that falls somewhere between funk/fusion, Rush and a band you'd see on Star Search. High-energy, intricate music with thumb-slappin' bass lines, wailing vocals and tricky synth parts. And these boys have chops to spare; the band sounds incredibly clean, tight and professional, as does the recording. "Fungus Amungus" and "Juicy Wet One" are standout tracks. 461-0457. Wise Monkey Orchestra is another group of players, ready to take you on a trip back to a time when Isaac Hayes ruled the Earth. Strong, Carole Kingish vocals, a guitarist with a fully functional wa-wa pedal (great stuff!) and a pretty wicked horn section punctuating the mix. At times there's a Spin Doctors feel to things; the Orchestra gets into a groove and can stay there. 967-4835.
genepool's Time and Place is a joy to listen to. This is a band that can sing (great harmonies that conjure up the Jam's Paul Weller and Bruce Foxton), write precise, smart pop songs and play perfectly to fit whatever it does. Sounds simple, right? You'd be surprised. The appealing thing here is that this band has a strong focus on exactly what it's trying to do musically; a winning factor whether you like the songs or not. There's a Brit feel to this stuff, circa early Eighties, but nothing comes off as retro New Wave. Good, punchy bass playing all over this clean tape; standout tunes are the darkly infectious "Look at You" (with superb, Strawberry Alarm Clock harmonies on the chorus) and "Sometime Tomorrow." I haven't seen this band play yet. If it sucks live, I'll be really depressed. 997-9457.--Peter Gilstrap
A Simple Passion sounds to these ears like a reverse "Unplugged" situation, a folkie act that goes the Stratocaster and synthesizer route. Its tape contains some fine songs like "I'll Wash Your Lover's Car" and "Panic," but they're marred when singer Roger Lee trots out his "Look, Ma--I'm being funny" asides. That might go over well in a folk club among friends, but is unnerving when you're trying to actually hear the songs. Also, he's got a strong voice which always seems to be peaking at the top of its range. He should relax and let these songs breathe a little; they're worth it. 943-3959.
Mesa's Brian O'Carroll also comes from the Phoenix folk scene with a bunch of song titles you attribute to other people (Bad Blood," "On a Clear Day," "Any Way the Wind Blows," "Stone Cold"), but they're all originals featured on his Radio Static cassette. He's got a fine band which should make a better than average night out at a folk or blues club, especially if he steers clear of lyrical clich‚s, as he does on "No Traces" and "Stone Cold," the best cuts here. 230-4148.
Fans of progressive rock should check out Planet Blue, an accomplished quartet that's just put out a well-produced CD rife with extraterrestrial art and lyrical references. Songs like "Crop Circles" and "A Far Way From Home" lull you into thinking this will be a concept album with firsthand accounts of alien abduction; that's not the case. Blue may as well have done 11 songs about weather balloons. And there are two tunes about the need for God. Martians or religion, this band is looking heavenward. 797-3667.