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"Sue Chenoweth: Real and Applied" at Modified Arts Is a Treasure Hunt
By By Kathleen Vanesian
I'm not talking about censorship; what I'm suggesting is basic quality control.
Often, artists, being intimately connected to what they produce, are the least capable editors of their own output. This is an area in which despotic selectivity, wielded ruthlessly by an independent juror, rather than sanguine, democratic majority rule (the usual approach for most artists' co-ops), would work to the benefit of both participating artists and the public.
In the meantime, while MARS is grappling with that problem, I've got to figure out what I'm going to do during the collision of Shoemaker-Levy 9 and Jupiter.
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