By New Times
By Connor Radnovich
By Robrt L. Pela and Amy Silverman
By Ray Stern
By Keegan Hamilton
By Matthew Hendley
By Monica Alonzo
By Monica Alonzo
If I said, "Excuse me, but if I were to serve you a fragrantly seasoned lamb kebab with a side of kibbe-nayeh, would you be interested in watching a little belly dancing?" you'd probably say, "Yes. Please bring on the lamb kebab, the side of kibbe-nayeh, and, by all means, I would really be interested in watching a little belly dancing."
Now if I were to say, "Excuse me. I cannot offer you food of any kind, but would you like to read a column about belly dancing?" you'd probably say, "No. Without Middle Eastern food, what could possibly be interesting about belly dancing?"
At this point, a knowing smile would play across my lips as I said, "Ah, but there is much to learn about belly dancing, right here in our very own Valley." You might still scoff, but determined as I am, I would simply ignore your scoff and continue, staring you down.
"In fact, this whole belly-dancing thing is big, and it's getting bigger all the time. And it's all happening out there in the suburbs, barely concealing itself; it's spreading like crazy, and there's nothing you or I or anyone can do about it." Now you would look at me like I was nuts, but I wouldn't care. I would have your attention, kibbe-nayeh be damned.
And I wouldn't be exaggerating.
There is the Arizona Middle Eastern Dance Association bimonthly newsletter. There is the weekly Cox Cable show The Joy of Belly Dancing. There are festivals, classes, workshops, videos and studios that cater to BD fanatics from beginners to advanced. There are traveling BD superstars who come to town to offer seminars. There are women of all ages, shapes, sizes and coordination levels spending hundreds of dollars on revealing, glitter-laden outfits, women who can do astonishing things with finger cymbals, women with bellies great and small who live to apply them to dancing.
The moon is high above the desert as the dancers begin to arrive to film the special Christmas episode of The Joy of Belly Dancing. What used to be a Bank One building in Tempe is now the Cox Cable television studio; the space is small and dark with a couple of cameras on the floor.
Yasmina has been hosting her show here for the past six years. You've probably seen her as you flip through channels, a red-haired woman in a two-piece costume leading her gang of dancers through the steps in a small black room.
Outside of belly circles, Yasmina is known as Pam Parker, technical librarian at Intel Corporation. But in the staid halls of Intel, chances are you won't be seeing her bare midriff, which means you'll also be missing the large, flowing rose tattooed to the right of her navel, not to mention the impressive, four-color dragon on the lower half of her right leg.
But Pam is nowhere to be seen tonight as Yasmina sweeps into the tiny studio in a magnificent outfit laden with multicolored beads that wink in the light, an outfit that can best be described as something only a belly dancer could wear.
And there are others.
Morgiana, Adayna, Noorjahan and Nila, all with similar get-ups, all with bellies open for viewing. In the normal world, they are Helen, an inspector at a machine shop; Dayna, a surgical nurse; Renee, a part-time Farsi teacher; and Pat, a retired catering-truck driver.
Filming for The Joy of Belly Dancing, which takes place twice a month and airs Wednesdays at 7 p.m., is a family affair. Yasmina's father and sister run the cameras; Dennis, boyfriend of Morgiana, is usually in the booth with Yasmina's husband John doing the audio and the credits. And Yasmina's mom is the gofer. The show goes out all over the state, where Yasmina tells me there are serious pockets of die-hard belly-dance fans from Jerome to Kingman to Yuma.
As everybody knows, you can't have a Christmas belly-dancing show without Christmas belly-dancing decorations. Which is why Yasmina is hanging up red, white and green veils on the wall in what is more or less the shape of a Christmas tree. Then Adayna arrives with strings of beads and big plastic snowflakes. Those go up, too. Then the stuffed camels come out, and the pillows and a brass drum.
Darned if it doesn't all add up to a really warm, homey Christmas feeling. It's like being in some Bedouin holiday tent in the desert, if Bedouins believed in Christianity.
But what of the music? On the platter is traditional Christmas music, customized for belly dancing. The ladies will shake it to "The Little Drummer Boy," "Jingle Bells," all your Yuletide favorites, but they're performed in a kind of skewed key and drum-heavy rhythm. Strange. But then, this is a slice of the exotic, mystical world of the Middle East.
Morgiana is up first; she does a "czar dance" which involves her kneeling on the floor and whipping her head around--and I do mean whipping--for something like five minutes. This is supposed to drive out the evil spirits. The belly plays virtually no role in this one, but it's still very impressive.