By New Times
By Connor Radnovich
By Robrt L. Pela and Amy Silverman
By Ray Stern
By Keegan Hamilton
By Matthew Hendley
By Monica Alonzo
By Monica Alonzo
It's hard to tickle your bicep, but much easier to tickle the sides of your upper arm, and very easy to tickle the area where your arm joins your shoulder. And the tattoo Valentine gives me snakes into these areas.
At the time, I can't tell how long the process takes, but I later discover that it was about two hours. Painful as it is, I don't feel any endorphins taking effect. But my hangover vanishes almost instantly. In seconds, I've become completely alert.
I try to ignore the pain by focusing on my breath. And then I notice something I would never have imagined. When I breathe in, the pain gets a little worse. And when I breathe out, it eases considerably. For as long as I'm not breathing out, the pain is severe enough for me to feel like crying out. When I exhale, it's just a throbbing ache.
I spend the rest of the session taking huge, lung-filling breaths very quickly and then letting them out very slowly. A friend stands watching. He came here planning to get a tattoo--he even knew the design he wanted--but, seeing the pain on my face, he chickens out. Then he tries to rationalize his fear.
"To get a tattoo, you have to have a sense of permanence," he says. "Once you have it, you can't get rid of it. I change my mind too much for that."
He doesn't believe me when I tell him the experience was strangely positive. "Yeah," he says. "You looked like you were having fun."
I wasn't. But it wouldn't feel as good to have a tattoo under anesthesia. Even if you don't enjoy the pain, the finished tattoo exists as a reminder of something you endured, something you went through to get it.
Contact Barry Graham at his online address: firstname.lastname@example.org