Petty Woman

Veiled in mediocrity, Runaway Bride isn't much of a catch

When the film finally does fall completely apart, it seems little more than a foregone conclusion. Ike and Maggie get together for one reason and one reason only -- because they have to, that's why. Perish the thought that Marshall, who gave us, among other things, Laverne & Shirley, might play upon our expectations and attempt something original. Everything about Runaway Bride -- the sitcom pacing, the unvaried shot selection, the clichéd music -- is perfectly ordinary. Marshall is the very definition of a hack; his one and only desire is to play to the lowest common denominator. This is the secret of his success: He aspires to mediocrity. With Runaway Bride, he has scored another bull's eye.

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Box Office

  1. Iron Man 3, 72.5 mil, 284.9 mil
  2. The Great Gatsby, 50.1 mil, 50.1 mil
  3. Pain & Gain, 5.0 mil, 41.6 mil
  4. Peeples, 4.6 mil, 4.6 mil
  5. 42, 4.6 mil, 84.7 mil
  6. Oblivion, 4.1 mil, 81.9 mil
  7. The Croods, 3.6 mil, 173.2 mil
  8. Mud, 2.5 mil, 8.6 mil
  9. The Big Wedding, 2.5 mil, 18.3 mil
  10. Oz The Great and Powerful, 1.1 mil, 230.3 mil
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