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What Is a Movie Critic's Job in the Summer of Comic Books?
By Alan Scherstuhl and Stephanie Zacharek
That absurd delivery of truth is where the movie works best, for, despite the chaos and nonsense, these girls have their blinders off -- unlike their counterparts in the '80s teen movies McDougall so clearly holds dear. Back in the day, it would have been beyond John Hughes to joke about hard-core lesbianism in a women's prison, but Nelson writes her girls straight into the thick of it, to learn about crime from Kansas' woolly, embittered mother (a wicked Sean Young). Along with a snappy score by Devo's Mark Mothersbaugh, and Chrissie Hynde's cover of "American Girl," McDougall bashes out a somewhat dumb but undeniably revisionist teen movie about aggressive teen girls. At the very least, she seems to be suggesting that being sweet and horrid beats being surly and horrid.
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