By New Times
By Derek Askey
By Mark Deming
By Serene Dominic
By Jason Keil
By Robrt L. Pela and Amy Silverman
By Jeff Moses
By Serene Dominic
Ironically, since Blur's Pavement fixation made it sound more American, Malkmus himself is something of an Anglophile. He cites the Kinks' Face to Faceand the Fall's Hex Enduction Houras two of his favorite albums. He's a friend and fan of Elastica front woman Justine Frischmann. And his appreciation for the Stones has surfaced on his latest batch of tee shirts, which ask the rhetorical question: "Who the fuck is Stephen Malkmus?" The design is an obvious homage to an early '70s photo of Keith Richards in a tee shirt that read, "Who the fuck is Mick Jagger?"
In fact, when discussing the cesspool that is contemporary radio, one of Malkmus' biggest complaints is that rock stations don't play any British bands. Otherwise, he sees little difference between the current state of radio and what Pavement was up against a decade ago.
"It's the same type bands that were around before, like Smashing Pumpkins and Nine Inch Nails, there's the new version of that, with Creed and Limp Bizkit," he says. "There's a lot of bands that I really don't know what they're called, but they kind of have that same macho sound.
"They [radio stations] really like these kind of gothic type things. It doesn't even have to have a hook. It's weird, but they like that. It somehow goes with tattoos, and younger people like it. I don't get it, but I'm not fretting by it. I kind of like Korn and Deftones, in a certain kind of way. I don't own their CDs, but I like those two better than Limp and some of the other ones I've seen."
In trying to navigate his way through the morass of leather-lunged metal-rappers and ex-Mouseketeers clogging the CD bins, Malkmus has plenty of elder-statesman cache to fall back on, but he's resisted the temptation to lean on his back catalogue during his current tour. Rather than revisit Pavement material, he's chosen to pad his sets with obscure covers from bands like Fairport Convention and the Wipers.
"It just feels weird," Malkmus says about performing Pavement songs. "Any time I imagine playing one of those songs, I guess it just brings all this cognitive dissonance into my brain. It's not like I hate the songs or anything. I guess the flatline of overtouring Pavement comes into my mind."
Malkmus has branded his new band the Jicks, initially envisioning them as a fictional musical family, much like the Carters. But his current concept for them might be a more accurate reflection of how he sees his place in the music biz.
"I don't really think of Jicks as a family anymore," he says. "I think of them more like ticks or something. Like, you lift up the seat cover and there's one underneath. And you're like, 'God, there's a jick.' And your wife is like, 'Ugh, I hate jicks!'"