By Lauren Wise
By Anthony Sandoval
By New Times Staff
By Chris Parker
By Glenn BurnSilver
By Lauren Wise
By Jason P. Woodbury
By Chase Kamp
"And now with the writing, I've finally, over the last few years, got to where I can write a song every day. Now, it might not be good, but I can get one out."
But the ones he's getting out are good enough to shop around: Reynolds recently sold two songs for the soundtrack of an upcoming Whoopi Goldberg flick, and on the strength of his recent Hall of Fame induction and the Tru-Gems collection, he's touring the West and Southwest, working out his chops again. He kicks it off in Phoenix playing with collaborator Al Casey; and suddenly, everything old is new again.
But the man's radar is always on; 40-plus years of writing songs will do that to a kid from Oklahoma. When this writer tells Reynolds that he's only got a few loose questions, sort of like lights on the water to navigate by, his ears perk up.
"Now that's a good expression, 'Lights on the water.' I might use that," he says, warming up, still working. "The only trouble you run into is rhyming 'water.' After you get 'water' and 'daughter,' you're pretty much out of options, so you'd have to sneak it in the middle someplace. But that's a good one. I could use that in a song."
No doubt he could.
Here is Jody Reynolds. Go, cat, go.
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