Sins of the Fathers

Letters from the week of May 2, 2002

This is just one option for you. But whatever it is that you decide to do, once you become an adult in the eyes of the law, you are solely responsible for your own actions. You can't blame society or the system, or "The Man," forever. You can make a difference, if only you'd try.

HT Dang
Via e-mail

Dramatic License

Playing with the facts: I am the artistic director of Ensemble Theatre Company, and am writing to correct three items of misinformation contained in Robrt L. Pela's review of our current production of Durang/Durang ("Comedy of Errors," April 18). The first two are relatively minor: The gentleman taking notes in the audience was sound designer Benjamin Monrad, not co-director Ben Weisenberg. Ben Weisenberg was in the technical booth running lights, so Jessica Leigh Hunt was not responsible for the "sloppy light cues."

More important than the two aforementioned points, however, is the misquote attributed to me by Mr. Pela in his review. He states: "At intermission, Hart dared to make disparaging comments to me about his largely undertalented cast." He goes on to characterize my comments as "dissing" my players. I am extremely sorry that Mr. Pela was unable to understand my comments. His misquote of me caused the Durang/Durang actors extreme pain.

Ensemble Theatre Company is a process-oriented theater. What I said to Mr. Pela is that we are currently in the process of integrating the members of the Barrow Gang, our improvisational performing partner, into the company. Three of them appear in Durang/Durang, and their experience with scripted work is, to this date, somewhat limited. My comment concerned the varied levels of experience among the cast, and also the fact that the Barrow Gang members' work in Durang/Durang is part of a larger process through which we hope to arrive at an original and innovative method for the creation of new works.

I want to make it clear that I never made disparaging remarks about any member of our cast, nor would I. All integrity aside, as artistic director, it is in my best interest to see large numbers of tickets sold. Why in God's name would I tell a critic that our cast is "undertalented"?

As you can imagine, great harm has been done to my reputation because of Mr. Pela's thoughtless comments. However, more important, I thank you now for letting me set the record straight with my actors and the community in general.

Tim Hart
Ensemble Theatre Company

Glendale Gratuities

The music man: Great articles, Spike ("Wily Coyote" and "Campaign Confidential," Spiked, April 25)! Keep after Glendale's mayor and council. I call Steve Ellman "Professor Harold Hill the second." When he wouldn't, or more likely couldn't, give Scottsdale's astute council the financial information it demanded, he came west and found a starry-eyed hick mayor to sell his musical instruments -- er, big ideas -- to.

Spike remembers how long it took Ellman to put the money together even to buy the Coyotes, with extension after extension granted to give him more time to pull the money together. This guy has big ideas but likes to operate on other people's money. Now he's operating on Glendale's money. The city council just this week spent $13 million to buy chicken, hog and Coyote real estate to hand over to him.

Harold Stoetzer

Glengarry Glendale: Nice column. Would have been great during my mayoral campaign and my fight against the darn stadium. I sent a copy to some friends, cc'ing local west side papers, asking where the "mainstream" media have been on this issue. But we know the answer, don't we? AWOL!

Tim Weaver

Band Aid

Moody music man: I'm the drummer for the band Moodroom. I read your review of our CD Hung Up on Breathing and wanted to say thanks for the positive words (Recordings, April 18). However, I personally took a little offense to the first paragraph or two, which talked about us being "rich white boys" (like The Strokes) and "yuppies."

Yeesh. Do a little research, babe. I make less than $30,000 a year at my day job. None of us are anywhere close to "rich." Not a real big deal, but with the power of print media, I suppose a writer can get people to think certain things, so it's a bit irresponsible to write things like how we "lack street cred," etc. Believe me, after nearly four years and a couple hundred shows under our belt, playing anywhere from an empty hick bar in Nashville to thousands at the upcoming HFStival, we have all the street cred we need.

Sean "Bunny" Saley
Via e-mail

Character Study

Learning from experience: I just wanted to let you know that I very much enjoyed reading your article "Tuesdays With Si" (Amy Silverman, April 18). He sounds like a fine old gentleman, and his ability to still teach life lessons and not give up, despite his illness, is inspiring. Also it is so nice to hear that someone as successful as Paul Hamra is willing to devote time to an elderly, less fortunate person.

It impresses me that Mr. Hamra obviously cares for this man. He simply could have forgotten him, but obviously he didn't, nor the lessons he learned from Si. Mr. Hamra has certainly retained some sense and sensibility. And Si is certainly a remarkable man. He exhibits a fine and strong character in adversity.

I just simply loved the story as there are so many good lessons and examples to be learned from it. Thank you for this lovely piece.

Mary K. Farrington-Lorch
Via e-mail

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