By New Times
By Robrt L. Pela and Amy Silverman
By Katrina Montgomery
By Kathleen Vanesian
By Monica Alonzo
By Benjamin Leatherman
By Robrt L. Pela
By Katrina Montgomery
No one had done his homework, because he didn't have to. They could cheat off each other's papers, sharing answers while showing off their love for movie stars but not necessarily the movies they make. They pepper the queries with loving adjectives: "incredible," "amazing," "unbelievable." A sampling, because a little is enough:
"Tom, you seem like you would be a great director, too." (Cruise's response, through a bright braces smile: "Well, thank you." No, dude. Thank youfor being Tom Cruise.)
For Cruise, again: "The public still loves you through everything." ("They have been incredible, incredible.")
And, again: "Do you feel like there is sort of a destiny to your life, or do you feel like you are making the choices?"
To Spielberg: "When you look at something like this and you see the future that you've envisioned, what would you most like to have happen in your lifetime, you know, that you could do? I love the jetpacks and stuff." ("You stole my answer," the director replies, grinning. "That is what I was going to say.")
"Steven, this is kind of an off-the-beaten-path question, but I am doing a story on the Joan Crawford biography coming up on TCM. You worked with her, of course, on Night Gallery." (You have to hand it to this guyat least he asked a question the answer to which was useless to everyone else.)
There are some nuggets of revelation that show up from time to time, but they're accidental. A woman sitting next to Cruise asks him the inevitable question, what passes for hard-hitting on Entertainment Tonight: "So, Tom, how does it feel to turn 40?" Through that enormous grin, that mouth full of under-construction teeth that look like white tombstones, he insists it's no big deal, that he never thinks about it unless asked about his encroaching birthday during interviews like these.
But, in reality, he seems to be obsessing over it, in small, subtle ways. Throughout the half-hour, he kept talking about movies well in his past: Risky Business, All the Right Moves, Legend. It's as if George Clooney were to give an interview about The Facts of Life. It's ancient history, or ought to be, yet Cruise keeps dipping into the yellowing scrapbookback to the good ol' days when Tim Hutton and Matt Dillon were in their prime, when Cruise was just a doughy comer. "It has made me kind of reflect on when I started out when I was 17," he says. "I remember being a young actor and thinking that I couldn't wait to get older, because here I was, 21 years old, sitting at board meetings going over marketing things for pictures. It is something that when I look back, I think that I have done all right, and I don't feel nervous or weird or bad about it."
It's a rare reflective moment for Cruise, who's one of the least contemplative actors to sit in front of an open microphone. At least he didn't bring up Cocktail or Days of Thunder. The most insightful thing about Cruise is that maniac laugh of his, that hysterical bwah-hah-hahthat scares the hell out of you if you're unprepared. He let it out of its cage a couple of timesonce, when a reporter spilled a bowl of jelly beans placed before him. It was pretty funny.
If Spielberg's no more insightful, he at least seems more sincere; film, after all, is a director's medium, and he knows how best to sell the product. Though he's just as adroit at sneaking in references to his older filmshe says he and Cruise almost made Rain Mantogether, and it was their first, ahem, "close encounter"he's also prone to doling out a little more insight. Maybe that's because directors think of things like legacies, while most actors daydream about things like paychecks and premieres. Spielberg is asked what he means when, in recent interviews, he says he's becoming "more courageous." Does he, in fact, mean "subversive?"
"I don't think anything I do is ever in service of changing my image, because I like my image," he says, cringing at the suggestion he's trying to shirk his rep as a soft touch. "And I've been celebrated for that image. It is not like people have condemned me and said, 'You have to be darker. You have to be darker. We are sick and tired of E.T., and we are sick and tired of Raiders. We are sick and tired of all these silly movies,' you know. So, I am taking a chance by exploring a path that came from a realization one day that I was no longer afraid of the dark. I was attracted to it, as a matter of fact."
He's revving up for a long talk about making dark movies about virtual sex and virtual murder. Spielberg's about to open up, to turn this prefab chitchat into a thoughtful conversation about violence and sex, about why he quit making graphic video games full of gore, about why he...
"Speaking of Raiders," interrupts the guy with the A.I.watch, "are you going to be directing the new one?"
"Oooh, when does that start?"
"It starts shooting May of 2004."
Yeah, pal. Start making your travel plans now.