By Melissa Fossum
By Lauren Wise
By New Times
By Amanda Savage
By Jason P. Woodbury
By Troy Farah
By New Times
Let's back up. In 2000, At the Drive-In, an El Paso quintet featuring Hajjar on drums, released Relationship of Command, the group's fourth album and the first that most people heard, the one that raised the band's profile and bridged the gap between "obscure" and "of course." Or it was beginning to, at any rate. The members of At the Drive-In were employed by the Beastie Boys (Relationship of Command was released on the Boys' Grand Royal label), and they had recorded with Iggy Pop (he sang on Relationship's "Rolodex Propaganda"). Their songs were on the radio, on MTV, on your mind, maybe. Even after six years together, it seemed as though the band was just beginning.
And then it was gone.
"After a nonstop six-year cycle of record-tour-record-tour, we are going on an indefinite hiatus," guitarist Omar Rodriguez said last March, after the band canceled a handful of European tour dates and suddenly disappeared. "We need time to rest up and reevaluate . . . just to be human beings again and to decide when we feel like playing music again." As far as Hajjar was concerned, however, the band was over. It wasn't a break or a hiatus or a rest stop or whatever anyone else wanted to call it. It was the end of At the Drive-In, at least.
"I mean, we knew," Hajjar says. In January, Hajjar's new band, Sparta which teams him with two of his ATDI bandmates, guitarist Paul Hinojos (who played bass with At the Drive-In) and singer-guitarist Jim Ward went to British Columbia to record with Jerry Finn, who's worked with Sum 41 and Green Day, among others. "Paul came out to L.A. he'd moved back to El Paso in May of 2001. We knew it. He came up, and we had a long talk, and we knew we were going to play together still, and we didn't know if he was going to play guitar or bass, but we knew we were going to play together. That was a given. And when he went back to El Paso, he talked to Jim, and Jim was really into it. Then all of a sudden, I flew to El Paso, and there we were," he says, laughing at how easily it all happened.
"You know, the hiatus thing was, to me, just press crap," Hajjar continues. "You know what I mean? You're supposed to stay quiet; you're supposed to not say anything, but you know what? A hiatus for everybody else is my life. And my livelihood. And I'm not going to live on a hiatus. I think it's absolute bullshit. So we knew we had to get going and work our butts off, and that's what we did. We're enjoying exactly what we're doing. Officially, I guess people still think we're on hiatus, but there's no such thing; that's the funny part. I think all five of us are having a great time, and that's the best part of it."
Though the group has never officially broken up, there isn't much reason to wait for a reunion. Former bandmates Cedric Bixler and Rodriguez have already gone on to release records with Defacto (the dub side project that was up and running before At the Drive-In limped to the sidelines) and their new rock outfit, Mars Volta, since the split. And Hajjar, Hinojos and Ward have been just as busy: They began rehearsing together last June and played a handful of shows before the year was out, stopping by the studio whenever they could to mark their progress. And somewhere in there, they signed a contract with DreamWorks Records, which released Austere, the group's debut four-song EP, in the spring; Wiretap Scars, the Finn-recorded full-length, is due later this month.
It's a bit surprising how quickly the members of Sparta were able to regroup, especially since Hajjar lives in Los Angeles, while the rest of the group (including bassist Matt Miller) remains in El Paso. But maintaining the long-distance relationship has never been a problem, according to Hajjar. "Well, there's meetings, so, of course, meetings are going to be in L.A. with labels, so [the] guys come up," he explains. "Or, we're practicing I'll go down."
Coming up with songs wasn't a concern, either, because the three hadn't stopped writing during their time apart; they may have taken a break from At the Drive-In, but they didn't take a break from music.
"Paul and I were sending MiniDiscs back and forth to each other, so we already had a few songs going between us," Hajjar says. "I had written, Paul had written, Jim had written, and then all of a sudden, we got together. We practiced for eight days, and on the ninth day, we went into the studio and demoed nine songs. We were doing 11 hours a day, 12 hours a day of practice. The performances weren't even close to perfect or anything like that, but it was pretty incredible."