By Melissa Fossum
By Lauren Wise
By New Times
By Amanda Savage
By Jason P. Woodbury
By Troy Farah
By New Times
"Kurt was Nirvana, period. Anyone else who says they were in the band is lying," she insisted, as Los Angeles Times reporter Chuck Phillips cradled Love in his arms on the Austin Convention Center stage.
A few weeks ago, Love, Grohl and Novoselic settled their lawsuit, which paved the way for the release of "You Know You're Right," which made its way to the Internet and rock radio well before its intended release. The song, which sounds like trademark Nirvana -- or, as Grohl said in Spin recently, "Like everything else we ever did, like, ever" -- has also spawned a much-requested MTV video, culled from previously unseen concert and backstage footage, much surreptitiously filmed by Love, who secreted a tiny video camera in her then-ever-present "medicine kit."
"You Know You're Right" remains but a single song amid hundreds of Nirvana recordings alive in the Geffen Records vault and Love's garage apartment. Collectors have long hoarded the five-disc Outcesticide series, which contain studio sessions and live covers, as well as the six-disc Into the Black boxed set, which comes with a dazzling 24-page booklet. But there are recordings so rare they don't appear on any illicit compilation. Here are the rarest of the rare, along with whatever limited session information we could find using the ultrasecret members-only Nirvana fan club discography site theneedleandthedamagedone.co.uk/boots/rare/whatever/nevermind.html.
"Narcoleptic, Neurotic" (alternate title: "Little Pissant") and "Jesus Hello": These In Utero discards sound like many other Nirvana songs: soft, loud, soft, loud, etc. They're most notable, however, for Cobain's use of chain saw and harmonium, the latter at the suggestion of producer Steve Albini, who once told Guitar Player magazine, "I was doing everything I could to make Nirvana as uncommercial as every other band I've worked with, except the Breeders, because I wanted to fuck Kim Deal."
"Squeezin Teezin": Nirvana was fond of whipping out the oddball cover song, but this one is disquieting. The story goes as follows: In 1991, BBC disc jockey John Peel asked the band to appear on his radio show. Nirvana agreed, but asked to perform a set of covers, to which Peel agreed. The set list featured several Nirvana favorites -- including The Who's "Baba O'Riley," The Doors' "The End" and Terry Jacks' "Seasons in the Sun" -- but also some bizarre choices, among them Cher's "Gypsies, Tramps and Thieves" and this little-known 1989 bit of hair metal written by Harry Cody, otherwise known as the guitarist for the band Shotgun Messiah.
"Violet"/"Miss World"/"Plump"/"Asking for It"/"Jennifer's Body"/"Doll Parts"/"Credit in the Straight World"/"Softer, Softest"/"She Walks on Me"/"I Think That I Would Die"/"Gutless"/"Rock Star": Otherwise known as Hole's second album -- the first on a major label -- Live Through This, released in April 1994. According to Internet gossip, this very tape is the reason Courtney Love settled her suit with Grohl and Novoselic: The Foo Fighters front man owns it in its entirety -- it was scheduled to be Nirvana's fourth studio album, after In Utero, and Grohl and Novoselic play on all the sessions -- and threatened to release it if Love didn't settle the suit. In fact, test pressings of the Foos' new One by One contain a "hidden track" that appears to be a 92-second montage of the Nirvana "Won't Live Through This" sessions, as they've come to be known.
"I Don't Wanna Be Your Yoko, Oh No": Taken from the band's sound check before its last American performance on January 8, 1994, at the Seattle Center Coliseum, this song was given to Cobain as a birthday present from Love. That would explain why it's so awful -- although it would later appear on Hole's third album as "Malibu," with slightly altered lyrics. Grohl and Novoselic refused to perform it in front of an audience, record it or even say its title out loud. In the legal papers, it is referred to only as "I.D.W.B.Y.Y.O.N. (Human Nature)."
"Rape Me"/"Too Shy": Recorded at the Palaghiaccio in Rome on February 2, 1994 -- the night Cobain tried to kill himself with pills and champagne -- this odd coupling featuring the Kajagoogoo hit likely stemmed from Cobain's feelings that "in 10 years when NIRVANA becomes as memorable as Kajagoogoo that same very small percent will come to see us at reunion gigs sponsored by Depends diapers," as he wrote in his diaries in 1992.