By New Times
By Robrt L. Pela and Amy Silverman
By Katrina Montgomery
By Kathleen Vanesian
By Monica Alonzo
By Benjamin Leatherman
By Robrt L. Pela
By Katrina Montgomery
Ol' Blue Eyes is history, but Ol' Brown Eyes -- a.k.a. The Don -- is with us still. You'll find him every weekend in the Marriott Camelback Inn's supper club, sounding an awful lot like Frank Sinatra and Tony Bennett and especially Dean Martin. The former B-movie actor and part-time Realtor impersonates dead Rat Packers and a host of other saloon singers, some of whom sound suspiciously like Frank and Tony and Dean, even when they're not.
New Times: Do you have a real name?
The Don: Yes.
TD: I'm Don Walsh. Half Irish, and half Italian. I'm the Don. Get it? Like in The Godfather. The Don?
NT: So, if I need you to bust somebody's knees for me, that's a service you provide?
TD: Well, we could talk about it. It's kind of a cheap job nowadays, though. You could get just about any high school kid to do it for free. Shit.
NT: How'd you get started impersonating the big guys?
TD: I'm actually an actor. I did local theater and a couple of movies. Word spread that I impersonate these guys, even though my real singing voice is closer to Dean Martin's.
NT: What movies were you in?
TD: Oh, gosh. Little movies. Not very good, nothing you would have heard of. I did one in Utah with Tony Danza, what the hell's the name of that? Sex and the Single Girl. I was in SLC Punk; I played the father of one of the punks. That's about as good as it gets.
NT: And now you're doing this. How does one become a Frank-Tony-Dean impersonator?
TD: The talent agents in Chicago knew me, and knew what I did, and I'd get a call from an agent who'd say, "Can you do a Sinatra thing?" I got a call from these guys at the Marriott, and I auditioned, and they loved me. The guy had an orgasm when he heard me: "Oh, God, this is great!" Because I, you know, walk around while I'm singing, I talk to people. It's called patter. They decided to keep me here until something bigger comes along.
NT: Like they're holding out for Tony Bennett himself. Did you grow up dreaming of impersonating other singers?
TD: No. Nobody does that. But I knew I had the talent for it. I used to do Louis Armstrong and Sammy Davis Jr., but after a while those guys start to hurt your throat. Raspy stuff. Now I stay with the big guys. I do a mean Elvis, but I also do Perry Como, Billy Eckstine, Frankie Laine. I guess those names don't mean anything to you.
NT: Come on. I know who those guys are. How come you don't do Jack Jones?
TD: Jack Jones. I like his songs, but I do them more like Dean or Frank might do them. He's like Vic Damone, a beautiful voice but no real style of his own, you know?
NT: What about Jerry Vale? No one sounds like Jerry Vale.
TD: I do Dean doing Jerry Vale songs. I do Doris Day that way, too -- Doris Day as Dean Martin would do her. It's beautiful, absolutely gorgeous. People love it.
NT: I bet. Your new CD is called Simply the Best. Is that a comment on your talent or the guys you're impersonating?
TD: It means I'm just simply the best impersonator in show business. I do a lot of different people, and there's not that many people doing impersonations anymore. Not like me, anyway.
TD: No. But people will ask for, say, an Eminem song, and I'll do a Dean Martin song and say, "What? That's not an Eminem song?" It's kind of a little trick I play on them, see?
NT: Oh, hee hee! Say, are you just hiding behind other famous personalities because you don't have one of your own?
TD: I don't think of it as impersonating; I sing it the way I feel it, but it comes out sounding like the recording by the guy who did it first.
NT: Why not just sing as yourself?
NT: Yeah. "The Little White Cloud That Cried." You were saying?
TD: I don't have a sound of my own. What happens to you is that you get so used to doing other guys that you start to sound like them. So I don't really have my own voice. I guess my own voice would be closer to Dean Martin's.
NT: Your Dean Martin is letter-perfect.
TD: You're right. The enunciation, the pauses, everything. People say, "Goddamn, it's like hearing Dean himself!" It's just that I have a feel for his sound.