By Ray Stern
By Ray Stern
By New Times
By Amy Silverman
By Stephen Lemons
By Stephen Lemons
By Monica Alonzo
By Chris Parker
Linda Crow Beegle
Near-death experience: Your article was excellent. I agree that the bishop should have been sent up so that his former parishioners could deal with that "short eyes" mf'er properly.
On faith, I am glad that you have found your way back. As a born evangelical, my adulthood has been spent being appalled by my faith's leadership. It is difficult, but not impossible, to separate the actions of leaders and the desires of God. Congratulations on allowing your faith to transcend the terrible failures of your diocese.
I have no comfort to offer as you come to a close. As a lifelong lover of Sam Beckett's work, I believe that we are in accord on our doubts and hopes, and, of course, the only way to know what follows is to experience it. Personally, I do believe there is a purpose (though it is well beyond my understanding), and what follows this life is an aspect of the progression.
Judge not: Joe Watson's April 8 article regarding Oubai Shahbandar ("Token Arab") was an excellent insight into how hard it is to be an Arab American and at the same time to confront radical Islam. Your article extensively quoted Deedra Abboud, a member of CAIR (Council on American-Islamic Relations), but you neglected to point out the irony in her comments. Mrs. Abboud is a white woman from Arkansas who converted to Islam and here she is criticizing a young man who was not only raised Muslim but also grew up in one of the most oppressive societies in the world, Asad's Syria. Who is Mrs. Abboud to decide who is an acceptable Muslim? Who is she to judge Shahbandar? Shahbandar stood up to dictatorship in his own country and his family immigrated to our America, which is supposed to allow free speech. But every time Mr. Shahbandar has exercised his right to free speech by bringing speakers to ASU, he has been shouted down and police have been required to keep the anti-Shahbandar crowds in order. What is everyone so scared of? It seems to me the people who tried to shout down Daniel Pipes and David Horowitz would have fit right in back in Saudi Arabia, where free speech is illegal. It's ironic that the very people calling Shahbandar "racist" are themselves people like Mrs. Abboud, who is white, while Mr. Shahbandar is a foreigner and a minority, just as Mr. Horowitz is a minority. So the reality is the only people with narrow minds are those afraid to hear what Shahbandar and his "fellow travelers" have to say. How else can one explain the hatred and vitriol and death threats that Shahbandar and Horowitz and Pipes have received just for voicing their views?
This was the ultimate irony of the story. Mr. Shahbandar and his family have come all the way to our "free" country only to find that in fact mob justice rules the streets of our universities and Shahbandar probably had more freedom to speak his mind in Asad's secular Syria than he does in America where Islamic radicals appear to have taken over ASU to such a degree that anyone who opposes them is immediately silenced.
Seth J. Frantzman
A "real American": The photo of Oubai Shahbandar on the front of your paper was offensive. It was nauseating! For someone of this mindset to wrap himself in our American flag in the guise of Saudi Arabian attire is despicable. Much of my family dates back to the founding of our country and one was a signer of our Constitution. Recently, an immigrant, radical Muslim physician told my American mother before her death that she was "trash." Maybe a lot of people can read such an article plus the offensive photo and not be angry, but as a "real American" myself, I believe that such people as Mr. Shahbandar need to ship themselves back to their country. The United States of America is not the United States of Saudi Arabia, or is it?
Cultural desert: It's sad to say that when I read"Death of Cool" (John Dougherty, April 8), I could only nod in agreement.
As a former college student who has made Tempe home, the only time I go to Mill Avenue now is to see a film at Harkins Centerpoint or Valley Art, or to attend a show at Gammage Auditorium. I'm afraid that the few quirky and independent places left on the strip, like Caffe Boa and Those Were the Days, will eventually be booted for mall-like boxes, and bigger corporate impressions. For a city that prides itself on being a real college town, an academic and cultural mecca, there sure isn't much to show for it on the city's most famous drag. It's a shame, and a genuine disservice to the students and citizens who call Tempe home. And God forbid if Phoenix decides to follow the same path in its growing downtown arts scene. We'll have really earned the moniker of "cultural desert."