Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Corrosion of Conformity

In the Arms of God
(Sanctuary)

Share

  • rss

By Phil Freeman

Published on April 21, 2005

If Ronnie Van Zant had replaced Ozzy Osbourne in Black Sabbath sometime around 1974, the result probably would have sounded a lot like the latest disc from North Carolina's Corrosion of Conformity. In the Arms of God is a fierce, impressive comeback effort from these guys, and after five years away, it had better be. Surprisingly, Arms doesn't come stomping right out of the gate -- "Stone Breaker," the album's opener, cruises hazily in on a wave of organ and psychedelic guitar before the Southern thrash riffs begin to roar and crunch. Each of the album's 12 tracks is a forceful gut-punch, with plenty of bass in the mix to juice the already hip-swingin' grooves. COC has been mixing Southern rock with metal for a couple of decades, and it's mastered its particular sound at this point. Special attention must be paid to the swinging drums, courtesy of Galactic's Stanton Moore. Only Pepper Keenan's still-rudimentary vocals, which no amount of computer filtering can mask, are a drag. Five years between studio albums is too long for a band this powerful.