Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Charlie Musselwhite

All he needs is a good blues nickname

Share

  • rss

By Serene Dominic

Published on May 05, 2005

If only Sam Phillips had said, "If I could find me a white boy who could play harp like Muddy Waters," rock history might've taken a different turn. But rockabilly's loss is blues' gain. Charlie Musselwhite grew up in Memphis (and actually ran moonshine, according to his bio), was friends with the Million Dollar Quartet, and then migrated to Chicago's south side, where he discovered another set of heavies to pal around with: Muddy, Howlin' Wolf, Little Walter, Big Walter, John Lee Hooker, and Big Joe Williams. When the White Blues boom of the '60s hit big, Musselwhite was at the forefront with contemporaries like Paul Butterfield, John Hammond, and John Mayall. Unlike that esteemed circle, his output has remained prolific. He was a sideman to the late John Lee Hooker and has played on sessions with the Blind Boys of Alabama, Bonnie Raitt, Tom Waits, and even INXS (that's him huffin' and puffin' on "Suicide Blonde"). And I'll bet he's the only guy at this festival whose logo looks like a biker's tattoo!