Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Graham Parker

Songs of No Consequence
(Bloodshot)

Share

  • rss

By j. poet

Published on June 02, 2005

Way back in 1976, Graham Parker's commanding vocal presence and acerbic songwriting -- given extra fuel by The Rumour, one of the greatest backing bands in rock history -- made him a contender. While he was lumped in with the rest of the so-called angry young men of the New Wave, his music owed more to the rough and tumble vibe of American R&B than his contemporaries. Over time, Parker's singular sound has proven to be both his greatest strength and biggest weakness. In the past few years, he's released half a dozen indie albums, and while they're all respectable efforts (including this one), they're mostly of interest to fans. Songs of No Consequencelives up to its title. Stupid women, false friends, consumer society, and, no surprise, his aging peers, still piss him off, but it's hard to keep up the ire as you age. On much of No Consequence, Parker sounds more tired than outraged.