By New Times
By Connor Radnovich
By Robrt L. Pela and Amy Silverman
By Ray Stern
By Keegan Hamilton
By Matthew Hendley
By Monica Alonzo
By Monica Alonzo
Like Houston MC Mike Jones says, if you don't grind, you don't shine, so the bisexual Eva Green and her cohort (that would be me) always make the scene, even when our funds are tight. As this has been the case of late, Jett and I have been on the prowl for a funky cranny to park our fannies and still keep some paper in our pants by the end of the eve. That's when we heard tell of Hiram Carrasco's Sunday nights at Bruno Mali's, which he calls "Muck Fondays": the theory being that Mondays are gonna suck anyway, so why not drink your ass off the night before and be hung over on your boss's time?
Solid concept, but it wasn't the theme that we were feelin' so much as the price tag: $4 Stoli martinis, $2.75 Fat Tires, and $2.50 kamikazes. Smells like a pre-payday party zone to me. Plus, three DJs spinning a mix of jazz fusion, hip-hop, reggae and rock, as well as spontaneous outbursts of break-dancing, cee-gar smokin', and so on, were promised. Only thing that could make it better would be some fly bitches willing to cut at the drop of a dollar. But hell, not even a PHX playa can have everythinghe wants.
Bruno Mali's, of course, sounds like the expensive Italian shoes made infamous by the O.J. Simpson affair, though the footwear's spelled "Bruno Magli." According to Mark Desimone, owner of Hidden House (the bar of which Bruno Mali's is a section), the name comes from Desimone's late father Bruno and his wife Mali, though he meant the moniker to be a verbal play on the bloody loafers from the O.J. case. Hidden House has been at 607 West Osborn Road, in a lot on the southeast corner of Seventh Avenue and Osborn, since 1963. Desimone took over in 1990, and about three years ago the northernmost part of the building became Bruno Mali's, serving some tasty barbecue for lunch and dinner, and afterward turning into a lounge.
Hidden House itself is a large, working-class pub with pool tables, a jukebox, and dartboards. A wall separates HH from BM, but they're basically part of the same building, albeit with way-different vibes. When we hit the spot late on Sunday night, HH is deader than Ron Goldman and Nicole Brown, but BM is bumpin' with DJ Delicate on the decks. There's a mix of hipsters in their early 20s, getting their drink and groove on, some lounging on the couches, or on chairs near the walls puffin' on stogies provided by the Cigar Warehouse, while others sway on the dance floor to the beats. Lights are low and candles are glowing. The J-unit and I step to the bar and order us up a couple of martinis and a pair of kamikazes to boot.
"Yo, Kreme, check the break-dancer with the big tits," says the Jettster, nudging me. On the corner of the dance floor, there's this hot white chick doin' 360s on her head. After spinnin', she hops up and breaks into some moves I haven't seen since Fred "Rerun" Berry laid them down in What's Happening!!. Talk about everything old being new again. After she's finished, she parks it nearby at the bar, and we ambulate over. We discover she goes by "Diva," and not only is this hella-fine squalie not sweatin', she's not even breathing hard.
"I like your necklace," I remark to Diva, referring to this black-and-white tribal piece she's wearing.
"It's a Zulu Nation symbol," she explains. "I've been part of Zulu Nation for quite a few years now."
"Zulu Nation?" wonders Jett. "Like, with, uh, spears 'n' stuff?"
"Negative, ghost rider," I spit. "She's talkin' about the collective of artists founded by Afrika Bambaataa, one of the pioneers of hip-hop."
By this time, Diva's homie and fellow break-dancer Lorenzo, a.k.a. "The Ruckus," has pulled up a chair, and I ask them both what they're doin' out on a Sunday night.
"I came to get down," Diva tells us. "You know, meet new people."
"Cool, I came to get down, too," coos the J-girl, lasciviously.
"She doesn't mean like that, ya dope," I croak at my horn-dog on heels. "How 'bout you, Lorenzo, are you gonna put your skills on display?"
"Nah," he says, pointing to his feet. "I got the flip-flops on tonight, man. My boy Hiram -- he's doing this event, so I figured I'd stop in and see what's up. I wasn't expecting an interview."
The almost-barefoot b-boy is explaining that he also reps this dope clothing company called Phoenician Wear (www.phoenicianwear.com), when I notice that the bi-Vanessa Marcil has eased over to the other side of the bar. Over there, I see her rubbing against this gorgeous model-type with black hair and bangs. I quickly bid the break-dancers adieu and head over to peep that lezzie action from closer up. Now, Jett's fine, but this chica's hotter than Paris Hilton in that Carl's Jr. commercial, and it's all I can do not to have my tongue flappin' in the wind while I'm eyeballin' her. I grab a barstool and watch Jett put this squirrel through about half of the Kamasutra, albeit with their clothes on, until they're both so worked up they have to take a breather.