Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Dangerdoom

The Mouse and the Mask
(Epitaph)

Share

  • rss

By Tim Grierson

Published on October 20, 2005

Of late, hip-hop supergroups have fared better than their rock counterparts. C'mon -- Madvillain? Handsome Boy Modeling School? Incredible stuff, especially in comparison to Velvet Revolver. Now let's add Dangerdoom to that distinguished list. A collaboration between it-producer Danger Mouse and Madvillain rhymer MF Doom, The Mouse and the Maskgoes high-concept on us, incorporating Cartoon Network's Adult Swimanimated characters into its lyrical and aural construction. The tie-in gimmick ought to limit the creativity, but pop culture doesn't scare our dynamic duo, so the album flows confidently between Harvey Birdman's lawyerly nonsense to Master Shake's rampant insecurity. If you don't watch cartoons, don't sweat it -- the sprightly beats are some of Mouse's most accessible, while Doom's joyfully thick delivery rhymes "generous" with "enemas" and "what weed do" with "you dweeb you." They turn a commercial calculation into a distinctive artistic work -- and have a blast doing it.