Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Carl Craig

Fabric 25
(Fabric)

Share

  • rss

By Derek Beres

Published on December 01, 2005

Carl Craig's approach has, from the outset, been far-reaching. Holding it down in techno's very birthplace, Detroit, the DJ/producer segues from house and hip-hop to techno and drum 'n bass in Ecstasy-size furies (his label name isn't Planet-E for nothing). His latest mixdown, Fabric 25, has him front and center, laughing and toasting throughout tracks by Kerri Chandler, Soundstream, and two of his own. Giving the opening to the crunkster Ying Yang Twins, their otherwise blasé "Wait (The Whisper Song)" is oddly fitting for the head-opening journey Craig conducts. Moving between soulful vocal cuts (Trickski's jamming "Sweat") to guitar-driven percussion (Africanism's "Imbalaye"), Craig's beat is on lockdown. As happens, too much breadth can be unnerving; even less tasty cuts, like that by Rayon, are forgivable in the larger scope. For the most part, Fabric 25 is rounded by floor-hitting, ear-splitting grooves -- the very domain Carl Craig claims ownership of. In this terrain, he continues to thrive.