Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Subways

Stand clear of the closing doors

Share

  • rss

By Andrew Marcus

Published on March 16, 2006

Back pockets stuffed with unassailable influences like T. Rex and The Jam, The Subways' guitarist/vocalist Billy Lunn and bassist/vocalist Mary-Charlotte Cooper whip up plenty of bratty tension and punky exuberance. But their tunes don't add up to unforgettable. It's not their fault that it should matter so much right now: Arctic Monkeys, though overrated themselves, have raised the songwriting standards of a generation of British bands. Now we expect not only spunk and good influences, but also tunes that do more than tribute "rock 'n' roll queens" and posit "Oh yeah!" as a chorus. By all accounts a great live band, The Subways have failed to muster a great debut. There's no shame in that, but plenty of good-but-not-great English rock acts have come and gone in the shadows of great ones; there's a reason you may never have heard of Cast or Northern Uproar. Let's hope this neat little band doesn't join them.