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  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Toby Keith

White Trash With Money
(Show Dog Nashville/Universal)

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By Michael Roberts

Published on April 27, 2006

Toby Keith may not really be a dick, but he plays one on CD. He generally comes across as ultra-smug, as if flaunting his popularity in the faces of intellectual elitists was half the fun of success. Yet the attitudinal aggressiveness that dominates White Trash is vastly preferable to the stuff squeezed out by the bland pretty boys and generic poseurs who clog the country airwaves. Not that Keith is especially original; the key phrase in the randy "Get Drunk and Be Somebody" hasn't been fresh since Gilley's installed its first mechanical bull. And when he tries to get sensitive on "Crash Here Tonight," featuring the gag-o-rific couplet "See one candle burning in your eye/And watch my heart fill up with butterflies," he sounds like a Keith Urban retread with no chance to pork Nicole Kidman. Still, he pulls off the string-laden "A Little Too Late" and the introspective "Note to Self," not to mention "Runnin' Block," which is rude, sexist and pretty damn funny. If you're feeling like a dick, that is.