Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Young People

All at Once
(Too Pure)

Share

  • rss

By Michael Alan Goldberg

Published on July 06, 2006

It's interesting, yet not all that surprising, to learn that when not working with the bicoastal, avant-garde duo Young People, singer Katie Eastburn is a dancer and choreographer. The band's brooding third album bears aesthetics similar to a modern dance performance. Its minimalist piano, percussion, bass, and very sporadic guitar parts are like well-defined bodies maintaining spatial separation as they snake around a vast, empty stage. The instruments retain their individuality even when locking together; the drumming is often primal and intermittent, like the sound of feet landing on the floor. The compositions steer clear of traditional structure, making for two- and three-minute songs that are both beautiful and a little bit baffling. With a voice that's glottal and grief-stricken (in a numb rather than histrionic way), Eastburn's delivery compares to the quieter, more desperate moments of Cat Power, Mary Timony, or Polly Jean Harvey. On such grimly titled tracks as "Your Grave," "Heads Will Roll," and "Dark Rainbow," it makes this dance even more macabre.