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  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Appleseed Cast

Less Swedenborgian than you might think

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By Eryc Eyl

Published on July 13, 2006

Listening to Peregrine, the Appleseed Cast's forthcoming album, you'd never know that the group got its start as an emo outfit named December's Tragic Drive in Lawrence, Kansas, during the late '90s. While peers such as the Get Up Kids have taken their adolescent emoting into alt-country territory, the Appleseed Cast has chosen a much less traveled road. Although there is still a heart-on-the-sleeve sincerity to frontman Chris Crisci's songs, the stylistic and technical experimentation on Peregrinerecalls groups as diverse as Death Cab for Cutie, Weezer, and My Morning Jacket. Experimenting with multiple genres and subjecting pedal-pushing live performances to chopped-and-screwed studio manipulations, the Cast has developed a unique sound quilt that is simultaneously organic and inhuman. Like a caged and enraged gorilla, new drummer Nathan Richardson (from Coalesce and the Casket Lottery) brings a restrained brute force to the proceedings, while producer John Congleton gives the quartet plenty of room to roam. Expect an engrossing show as this seasoned outfit pulls off these tricks live.