Art Scene

Current exhibits, installations, and shows

 "Jelly" at Mesa Contemporary Arts: Tucson-based artist Gwyneth Scally reminisces about beachfront life in this installation of large-scale sculptures and acrylic paintings, all focused on the beauty and danger of jellyfish. Itís an intelligent, exotic exhibit that examines the relationship between science and spirituality using imagery that viewers, especially coastal transplants, can identify with. Scallyís impeccable craftsmanship and realistic painting style combine with witty religious subtext to make a powerful statement. Perhaps, as Darwin theorized, jellyfish are our evolutionary ancestors. Or, they are merely another of Godís creations. The point Scally ultimately drives home is that thereís no conclusive proof of either theory. To her, religion and science are like jellyfish. Lovely to behold; but if you get too close, youíre bound to get stung. Admission is $3.50; children 7 and under free. Through April 22 at Mesa Contemporary Arts, 1 E. Main St. in Mesa. Call 480-644-6500 or go to

"Reflections From Within: Charlie Emmert" at West Valley Art Museum: If Emmertís oil portraits of notable historical figures accurately reflect their personalities, then these guys were one miserable lot. In OíKeeffe Study, a thin veil of gray watercolor drips like tears over the artistís heavily wrinkled and forlorn face. It seems almost tragic considering the colorful femininity of OíKeeffeís floral studies. Einsteinís trademark frizzy white hair and walrus moustache canít counteract the despair of eyes painted to mimic black holes. Though likely a nod to his Theory of Relativity, itís disturbing to view. Emmertís shadowy style is most successful in Indian with War Bonnet, an impressionistic view of a proud warrior in side profile. Textured paper and earthy shades of yellow, brown and ochre lend a raw, natural quality that visually describes the bond between Native Americans and their land. Admission is $7 adults; $2 students; children 5 and under free. Through May 6. 17420 N. Avenue of the Arts, Surprise, 623-972-0635,

"Synaesthesia" at Chiaroscuro Gallery: When viewed from a distance, New Mexico artist Marcia Myersí large-scale frescoes appear to be a blatant rip-off of Rothkoís famous color blocks; especially in her Scavi series. Where Myers breaks away from the í60s color field movement is in the texture. By hand-layering linen strips painted with a mixture of plaster, lime, water and traditional pigments, her modern abstractions take on the rustic, weathered quality of an ancient Roman ruin. Check out Color Journey MMVI-III, a framed collage of fresco squares in shades of blue with streaks of rust and orange that add slight tension while remaining harmonious with the color scheme. With that kind of interior design sensibility, itís no wonder her work has appeared in Architectural Digest. Admission is free. Through April 9. 7160 E. Main St., Scottsdale, 480-429-0711,

"Celebrating Freedom: The Art of Willie Birch" at Scottsdale Museum of Contemporary Art: New Orleans is colorful and quirky, like that eccentric relative who insists on wearing turquoise hats with leopard-print spandex. So itís no shock that charcoal drawings that cast The Big Easy in shades of gray are a disappointment. Birchís topographical shading technique causes his scenes of funeral parades and Haitian voodoo rituals to appear flat and lifeless. In Free to Be, four drag queens in towels, turbans, and jeweled necklaces share cocktails at the Southern Decadence gay-pride festival. Their presumably ruby-red lips and heavily shadowed eyes beg for color. Despite the aesthetic issues, Birch does have an eye for capturing the unseen realities of pre-Katrina New Orleans. In one poignant drawing, a homeless man sleeps beneath two symbols of slavery: a cannon and a magnolia tree. Itís a stirring reminder of the cityís dark past. Admission is $7, $5 for students. Through April 29. 7374 E. Second St., Scottsdale, 480-994-2787,

"Draw Me a Picture" at the Heard Museum: Steven Yazzie — the It Boy of the local art scene — has a show at a major museum. Too bad itís not a show of the work weíve grown accustomed to from him, amazing paintings that showcase his talent. Yazzie took a risk with ďDraw Me a Picture,Ē so named because he drew pictures while driving a cart. The result? Um, donít drive and draw. Admission is $10; seniors $9; $5 for students with valid ID; children 6 to 12, $3; under 5 free. Through September 2. 2301 N. Central Ave. Call 602-252-8848 or visit

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