Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Love Me Nots

In Black and White
(Atomic A Go Go)

Share

  • rss

By Ed Masley

Published on May 02, 2007 at 2:44pm

Remember when it felt as if any band with loud guitars whose singer didn't make you think of Creed was being lumped in with the Vines as part of some ambiguous post-Strokes garage revival? This is what that music would've sounded like if it was real garage. The Love Me Nots have clearly spent some time absorbing Nuggets, reviving the magic of '60s garage rock with a fuzz-guitar sound fat enough to let you know they've heard the Cynics, and an organist whose more inspired moments hit like Steve Nieve as the great lost Mysterian. You could credit producer Jim Diamond. After all, they did go all the way to Detroit just so he could tell them what they should have known already — namely, "Yeah, that take is fucking awesome." But it wouldn't matter how much Diamond did or didn't have to do with that money-shot moment in "Move in Tight" (where the trash-rock guitar lead explodes out of nowhere on what used to be an organ-driven track), if the song itself weren't a new garage classic in its own right, one of 12 infectious variations on the form.