Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Norah Jones, and M. Ward

Two full courses

Share

  • rss

By Christian Schaeffer

Published on June 13, 2007 at 3:19pm

Say what you will about Norah Jones, but the woman has the guts to choose opening acts that could potentially blow her off the stage. On her last go-round, Jones enlisted the mighty Gillian Welch to warm up the crowd, and this tour features the considerable talents of M. Ward. On last year's Post-War, Ward added layers of tonewheel organ and orchestral percussion to his largely unadorned folk music. His warm, drowsy voice could be confused with dinner-party background music if his spindly guitar work and cryptic, entrancing lyrics weren't so engaging. Ward is the kind of artist that rewards close listening, and once you let him in your head, he won't be leaving anytime soon.