Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Riddim and Weep

Share

  • rss

By Niamh Wallace

Published on August 09, 2007 at 4:01am

If you can tell the difference between drum 'n' bass, jungle, breakbeats, and backbeats, then you're probably rocking a picture of Sly & Robbie above your Alesis SR-16. The revered Jamaican duo (a.k.a. "The Riddim Twins") have provided the bass line and beats for virtually every major reggae artist over the past few decades, and they've influenced almost every other style of pop music with their bottom-heavy production values. Throughout their 30-year career, they've invented the digital hiccup, produced hits for Grace Jones, Bob Dylan, and Gwen Stefani, and helped bring the dub genre into the mainstream. That's more than we can say for The Neptunes.

The Twins perform for an audience we can only imagine will be composed of an interesting mix of hardcore reggae fans and recovering (possibly British) electronica addicts, all of whom we suspect can't turn on the washing machine without hearing beats.