Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Cardiac Party

R Cacti Yard, PA
(Self-released)

Share

  • rss

By Serene Dominic

Published on August 08, 2007 at 3:26pm

It's no small source of stupid pride for me that there are a million cool anagrams for my name, everything from Mr. Iodine Scene to I Sneer Demonic to No Dicier Semen. Any one of these would make a natty album title. But apparently, it's equally no small source of stupid pride for Cardiac Party that their name does not translate into any desirable anagrams, yet they insist on using one for an album title anyway (ignoring even better alternatives than the one they used, like "cry at acid rap," fer instance). Disgruntled Junior Jumblers aside, you can't dismiss R Cacti Yard, PA for not being well-thought-out obversion, the kind R.E.M. used to practice when they'd make an album cover out of the corner of a candy wrapper. They merge sparse kinetics with an odd fascination for polyphonic Moog sounds and hysterical caterwauling that gives them their "melodramatic popular song" sound. Take a track like "In Yr Inner Industry," which starts off as an atmospheric instrumental, meshing into pleasant folk sounds, and eventually reaches a feverish pitch, with the entire cast blowing on kazoos and barking. All this would be totally meaningless if it weren't for a deliberate lyrical obscurity that would make Yes fans drool. Who among us hasn't said "Oligarchic, given to temper" and then immediately followed it up with "I've got gauze that I bought in December"?