Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Candy Dulfer

Candy Store
(Heads Up International)

Share

  • rss

By Ernest Barteldes

Published on October 03, 2007 at 3:17pm

Though she is only in her early 30s, Dutch-born saxophonist Candy Dulfer is a veteran in her own right, having performed and toured alongside the likes of Dave Stewart, Prince, Aretha Franklin, and others since she was in her late teens. On this new release, she takes smooth jazz in a different direction, bringing influences from funk, Latin music, and other genres, resulting in a disc that can be appreciated even by listeners who don't have an ear for jazzy sounds. Among the highlights is "Summertime," an original tune in which Dulfer does double duty by singing lyrics that celebrate the laid-back season of flip-flops and outdoor festivals. In "La Cabana," Dulfer ventures into Cuban territory, and the tune stands out precisely because it's a complete shift from the more electronic direction many of the songs take. Also check out "Smoking Gun," a reggae song penned by fellow Dutch guitarist Ulco Bed, a member of her touring band who also collaborated on various other tunes. On that track, Dulfer takes advantage of the simple melodic structure to exercise her chops, while bassist Chance Howard keeps a solid melodic backup. There are a couple of moments that fail to ignite, though. "Back to Juan" has a standard, light-jazz feel that doesn't set it apart from other similar tunes, even with the clever horn arrangement from Jan Van Duiheren. The same goes for the bonus track, "Finsbury Park, Cafe 67 (2007 Version)," a slow ballad that has the listener either snoozing or reaching for the stop button. But the overall experience is positive. Just give the funky opening track, "Candy," a spin and you'll be coming back for more soon enough.