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Michele Bachmann, Unmuzzled
You don't need to read Sarah Palin's book to hear the ravings of a mad woman.
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Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.
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Prints Charming
Master printmaker extols the virtues of collaboration
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By Peter Breslin
Published on October 11, 2007 at 4:01am
On the surface, printmaking is one of the less glamorous stepchildren of the visual arts. Sure, it’s a discipline combining technical craft and detailed vision, but the finer elements of the process are little known to the general public. A real artist struggles alone with intractable materials and personal demons, eking out irreproducible masterpieces. By comparison, printmakers seem owlish, staid, and yeoman-like. Joe Segura, master printmaker and cofounder, with Lisa Sette, of Segura Publishing Company in Tempe, sets the record straight in a free gallery talk. Collaboration is the name of the game for Segura, whose command of printmaking media has fused with the feisty temperaments of artists such as William “Weimaraner” Wegman, Brazilian experimentalist Vik Muniz, and SMoCA associate curator Cassandra Coblentz.
Thu., Oct. 11, 6:30 p.m., 2007
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