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National Features >
City Pages
Michele Bachmann, Unmuzzled
You don't need to read Sarah Palin's book to hear the ravings of a mad woman.
By Matt Snyders
Miami New Times
Pimp Daddy
The rise and fall of a chubby sex-cult leader.
By Natalie O'Neill
Riverfront Times
Babe 'n' Arms
Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.
By Nicholas Phillips
Dallas Observer
The Fight for Texas
Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.
By Sam Merten
For All Nam Kind
Viet youngbloods paint the future using age-old techniques
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By Peter Breslin
Published on October 18, 2007 at 4:01am
The downside of being Vietnam, Southeast Asia’s Grand Central Station: centuries of Chinese, Portuguese, French, and American boot prints (and land mines) in your flowerbed. The upside: cultural and artistic variety and cross-fertilization out the yin yang, as displayed in the “Contemporary Vietnamese Paintings” exhibit. The show, featuring works running the gamut from realist to folk-inspired, spotlights a new generation of Vietnamese painters who’ve tapped into their country’s chaotic last millennium while adding contemporaneous touches. Many Vietnamese artists still work in gouache, originally the medium of necessity because of a shortage of oil paints, or in lacquer, a technique inspired by Vietnamese temple painting.
Tuesdays-Sundays. Starts: Sept. 14. Continues through Dec. 16, 2007
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