Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Diana Ross

Share

  • rss

By Niki D'Andrea

Published on October 31, 2007 at 12:22pm

Madonna may be the modern mistress of self-reinvention, but Diana Ross did it first. The Detroit-born singer started with a bouffant in the early '60s as one-third of The Supremes, harmonizing on girl group hits like "You Can't Hurry Love." In the '70s, despite resembling an even more waifish Michael Jackson in drag, Ross played jazz singer Billie Holiday in Lady Sings the Blues and nabbed an Oscar nomination for Best Actress. In the '80s, Ross' hair became the big, bouncy 'fro we all know and love now, while her music career centered on her hit remake of "Why Do Fools Fall in Love" and elbowing former fellow Supreme Mary Wilson out of the spotlight at the Motown Records 25th anniversary special. The '90s saw Ross perform the halftime show at Super Bowl XXX and return to acting with the film Double Platinum (co-starring R&B singer Brandy), while the new millennium found her booking a Supremes reunion tour that died of a case of severely low ticket sales after nine dates, and getting pulled over for drunken driving in Tucson. Her 2007 album, I Love You, peaked at number 32 on the pop charts, and while nobody can predict what Ross will do next, one thing is for certain: She will continue to inspire drag queens almost as much as Cher does.