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Recent Articles
Recent Articles by Michael Alan Goldberg
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National Features >
City Pages
Meet the man inside the glowing Spandex unitard, who refuses to be a "geek pinata."
By Ben Palosaari
Riverfront Times
The nation's best known--and perhaps only--demonologist keeps up the
struggle against Satanic spirits.
By Aimee Levitt
Miami New Times
Sensing the end of an era, bottled-water companies spend billions to keep an eco-unfriendly industry alive.
By Lee Klein
Village Voice
A man fascinated by a violent 1930s strike solves a mystery with the help of a mobster's musician.
By Tony Ortega
The Pain Event
Published on November 15, 2007
You want The Truth? Can you handle The Truth? SoCal emo-metalcore sextet Bleeding Through's third album hits like a falling anvil to the cranium: Ferocious blast-beats, crushing riffs galloping straight out of the Slayer/Biohazard playbook, and vocalist Brandan Schieppati's evil demon-roar (and his occasional, requisite Mike Patton-esque crooning) are the main components of the band's mini-symphonies of destruction. So what's been obliterated? Schieppati's heart  as such choice Truth cuts as "For Love and Failing," "Dearly Demented," and "She's Gone" suggest  and he wants you to know his pain, man. Although the news isn't all bad: The girl may be gone, but at least she left her black eyeliner behind for the band members to wear (it looks best on keyboardist Marta Peterson, whose snaking, melodic synth lines are typically too lost in the mix to soften the band's brutal assault). In the live setting, where Bleeding Through is certain to be sonically exhausting, you'll have to decide for yourself if all of this emotional bloodletting is devastating, or just corny.
Sun., Nov. 18, 6:30 p.m., 2007