Recent Articles

Recent Articles by Niamh Wallace

  • Hot Couture

    No, not the kind you get in a tanning booth

  • M*O*S*H

    Photogs braved the pit for first-wave images

  • Hiero-Learning

    The underground is where it’s always been

  • The Asia Syndrome

    Installation continues PAM’s love affair with the Far East

  • Brute Force

    NYC free spazzers may very well destroy Trunk Space

National Features >

  • Houston Press

    The Passion of Victoria Osteen

    A flight attendant's smackdown with the wife of mega-preacher Joel Osteen inspires a whole new set of commandments.

    By Rich Connelly

  • City Pages

    Your Field Guide to the RNC

    Today Denver, tomorrow the Twin Cities.

    By Matt Snyders and Bradley Campbell

  • The Pitch

    Star Power

    A country musician rescues Waylon Jennings' tour bus from the scrap heap.

    By C.J. Janovy

  • Village Voice

    Serrano's Second Movement

    The provocateur who brought you "Piss Christ" pinches off a new concept.

    By Lynn Yaeger

Tha Roots

By Niamh Wallace

Published on November 29, 2007

In Bakari Kitwana's 2003 book The Hip Hop Generation, he argued that "although hip hop has secured its place as a cultural movement, its biggest challenge lies ahead," referring to the form's potential as a mobilizing political force. We imagine a statement like this to be eminently quease-inducing to certain parties currently in power, and it speaks to the vaulted role hip-hop holds in society. The Hip Hop Project, a documentary funded by unlikely partners Queen Latifah (no stranger to rhymin' herself) and Bruce Willis, takes hip-hop out of the bling-and-ho context and back to its street-corner roots by following several kids who collaborate on a community hip-hop album. A panel discussion and performances by local b-boys and b-girls follow.
Fri., Nov. 30, 7 p.m., 2007



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