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  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Edifice Complex

Home is where the art is for Phoenix photog

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By Niamh Wallace

Published on January 09, 2008 at 4:00am

Abandoned houses are always creepy, but there's nothing more disconcerting than driving by your old childhood abode and seeing a stuccoed monstrosity, an empty lot, or the crumbling squalor of a meth lab. The punch in the gut that follows is unexpectedly severe, even if the change is as innocuous as a hideous new paint job. Local photographer Aaron Abbott explores the gap between what we remember as home and the physical reality that remains in his current show, which features large-scale diptychs of several structures in Phoenix, Tucson, and Globe that can only resemble home in the memories of those who once lived in them.
Fridays, 5-9 p.m.; Saturdays, 1-5 p.m. Starts: Jan. 11. Continues through Jan. 26, 2008