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  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

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    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

The Small Picture

A little goes a long way at Art Connections Café

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By Adriane Goetz

Published on January 09, 2008 at 4:00am

Why do Americans insist on everything being so BIG? Supersize trucks. Get-fat-as-soon-as-possible fast-food meal deals. Big-box stores. Whether purchasing an Escalade or sucking down a 64-ounce Thirstbuster, bigger is considered better. Unless you’re talkin’ about chicks. Right, bro?

If you’re sick of being told to “think big,” “bigger is better,” or “look at the big picture,” then you will, no doubt, find the wee works in the “It’s a Small World” exhibit, by local arists Keith Stanton and Ernie Button, refreshing. Stanton depicts various aspects of suburban life through tiny scenes composed of thrifted materials, including miniature figures, furniture, and surrounding décor. Button juxtaposes bits of breakfast cereal into unexpected landscapes, creating adult-themed pieces such as Shredded Wheat Bales, in his “Cerealism” photography series.


Jan. 11-April 9, 2008