Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

The Small Picture

A little goes a long way at Art Connections Café

Share

  • rss

By Adriane Goetz

Published on January 09, 2008 at 4:00am

Why do Americans insist on everything being so BIG? Supersize trucks. Get-fat-as-soon-as-possible fast-food meal deals. Big-box stores. Whether purchasing an Escalade or sucking down a 64-ounce Thirstbuster, bigger is considered better. Unless you’re talkin’ about chicks. Right, bro?

If you’re sick of being told to “think big,” “bigger is better,” or “look at the big picture,” then you will, no doubt, find the wee works in the “It’s a Small World” exhibit, by local arists Keith Stanton and Ernie Button, refreshing. Stanton depicts various aspects of suburban life through tiny scenes composed of thrifted materials, including miniature figures, furniture, and surrounding décor. Button juxtaposes bits of breakfast cereal into unexpected landscapes, creating adult-themed pieces such as Shredded Wheat Bales, in his “Cerealism” photography series.


Jan. 11-April 9, 2008