Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • Riverfront Times

    Where's the Beef?

    Allison Burgess stakes her reputation on mystery meat.

    By Aimee Levitt

  • City Pages

    Carp Killah

    Just in time for summer, it's again safe to fish with bows and arrows in Minnesota.

    By Bradley Campbell

  • Village Voice

    The Man in Our Mirror

    A black American's eulogy to Michael Jackson.

    By Greg Tate

  • Miami New Times

    Smoking Guns

    Miami's latest vice? Black-market cigarettes.

    By Tim Elfrink

Necrodamus

No Rest For the Wizard
(Shifty)

Share

  • rss

By D.X. Ferris

Published on January 15, 2008 at 4:59pm

Guitarist Scott Stearns is an astronaut of musical violence. He explores dark, ugly places that reek of sulfur, rotgut, and boiling sweat. His Necrodamus project is a reshuffling of a recent Fistula lineup. But where that band lurks in a sludgy punk-metal midground, Necrodamus alternately stalks both sides of the crossover divide. Stearns riffs his way to Armageddon on battle-ax tunes like "Two Ton Hammers of Metal" and "Stoned Apocalypse (Judgment Day)." A cover of the Misfits' "Skulls" is more metal and less melodic, but it captures the original's morbid exhilaration. "Life On My Own" sounds like the Cro-Mags shot up with HGH and spiked with caveman DNA. And nothing as heavy as "Death Rides a Pale Horse" should be nearly this catchy. But when Stearns sinks an iron hook in your head, you can bet it'll stay there.