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Recent Articles
Recent Articles by Ben Westhoff
Paper Trail
(Atlantic)
Brass Knuckles
(Derrty Ent, Universal)
It Is Time for a Love Revolution
(Virgin)
The Solution
(Roc-A-Fella/Island Def Jam)
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National Features >
Village Voice
Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.
By Wayne Barrett
SF Weekly
Exposing a construction-site scam only a San Francisco cop could love.
By Joe Eskenazi
Houston Press
Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.
By Randall Patterson
Westword
Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.
By Lisa Rab
Kate Nash
Made of Bricks
(Interscope)
Published on January 24, 2008
Kate Nash's debut LP, Made of Bricks, was released last summer in the U.K., where she became an overnight sensation; both the CD and single, "Foundations," charted at number one. The 20-year-old from a London suburb pals around with Lily Allen, with whom she's frequently compared. Yet unlike Alright, Still (Allen's debut), Made of Bricks jumps genres as though it has multiple-personality disorder. The electroclash throwaway "Play" leads off the album, ahead of whimsical sing-along "Mouthwash" and the epic, almost-gothic "Mariella." But no matter. Nash is a phenomenal talent who seems able to imagine riffs as easily as she snaps her fingers. She's also got a gift for pointed human observations that don't slow her narratives. "Thursday night, everything's fine, except you've got that look in your eye when I'm telling a story and you find it boring," begins "Foundations." Though she talks tough like Allen — "I wish that you were more intelligent so you could see that what you are doing is so shitty to me," she says on "Dickhead" — her lines ultimately betray more vulnerability and immaturity than those of her countrywoman. But that's not a bad thing. One looks forward to the development of her art as she gets older.