Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Musician Dan Zanes plans to create a "pro-immigration" CD

Share

  • rss

By Ernest Barteldes

Published on February 05, 2008 at 5:56pm

With his unique hairdo, colorful suits, and acoustic guitar, Dan Zanes' musicality and talent are always a pleasure to behold, regardless of your age. Though he has a more obvious appeal to children because of his songs' themes ("Father Goose" and "The Hokey Pokey," for example), the apparently endless energy he emanates from the stage is quick to captivate adults as well, and once that happens, generation gaps in the audience seem magically bridged.

Since Catch That Train! (his latest release) was distributed via Starbucks' Hear Music label, Zanes has been able to expand his musical horizons and explore new sounds, including a handful of Spanish-language tunes. "We also have a new person singing, called Sonia de Los Santos, who comes from a Puerto Rican background," he says over the phone from his home in Brooklyn. "She has been a great addition to the band."

Zanes' ever-rotating band plays in a laid-back manner but sounds tight. "There are six people switching instruments and everybody sings," he says. "More recently, we added a horn section, which has really changed the way we sound."

The inclusion of Latin singers in his ensemble comes as Zanes begins work on Nueva York, his first Spanish-language disc. "It will be a pro-immigration CD," he says. "This whole argument has become pretty rocky, and the thing that we are missing [in this debate] is the celebration of the cultural mix — I think that music can build bridges, and it's exciting to be thinking in those lines; the possibilities are incredible, and the music is really fun to play."

This belief has also prompted him to study Spanish. "The more I am able to speak [the language], the better I feel, and that is important in these times," he says. "It's the future. We have to admit that we have become a bilingual nation."

Among the tunes en español he has added to his set list are "La Piragua" ("The Canoe"), a well-known Colombian cumbia by Jose Barros, and "Palo Bonito," a traditional Latin folk song. "Kids that don't speak the language have no problem with it. Their ability is quite remarkable, and it's been fun to play these songs."

For their stop in Phoenix, Zanes says that the band will feature songs from Catch That Train! and his other discs. "It's going to be like a party in someone's living room, with a lot of singing and dancing," he says. "I can't wait to get to Phoenix!"