Most Popular

Recent Articles

Recent Articles by Clay McNear

National Features >

  • Village Voice

    The Book of Sarah

    Subjected to the light of day, Sarah Palin doesn't look like a maverick at all.

    By Wayne Barrett

  • SF Weekly

    Building Overtime

    Exposing a construction-site scam only a San Francisco cop could love.

    By Joe Eskenazi

  • Houston Press

    Don't Nobody Cry

    Ronald Taylor is one of perhaps hundreds of innocent people Harris County has put in prison.

    By Randall Patterson

  • Westword

    Open Secrets

    Sloppy U.S. government paperwork is putting the lives of asylum seekers at risk.

    By Lisa Rab

Mike Alewitz

By Clay McNear

Published on February 28, 2008

Dubya's gone, and there's not another viable Bush on the horizon. Life is good, right? Well, the problem with victory is that she's the twin sister of defeat, and ne'er these twins shall part. Does it really matter who gets the Oval Office in the fall? It matters not. What finally topples the status quo is a bunch of pissed-off people like Mike Alewitz screaming into the void until their voices gain traction.

Alewitz’s struggle spans the Reagan Revolution. The agitprop artist started creating his often incendiary working-man art – highly reminiscent of the best of the Great Depression – at the dawn of the movement, and he’s still going strong as it ends. The self-proclaimed “labor muralist” is unabashedly pro-union, and many of his brawny, proletarian works are commissions by the likes of the Teamsters and the Centralia (Washington) Union Mural Project.

In town for an appearance at last weekend’s Local to Global Justice Teach-In – speaking of collected voices raised to the heavens – Alewitz makes a pit stop at Changing Hands to sign his new book, Insurgent Images: The Agitprop Murals of Mike Alewitz.


Mon., March 3, 7 p.m., 2008


Phoenix New Times Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com