Most Popular

Recent Articles

Recent Articles by Lilia Menconi

National Features >

  • SF Weekly

    Pinot Bizarre

    You won't believe the California wine industry's latest new-age craze.

    By Joe Eskenazi

  • Westword

    The Snowboard Bandits

    They lived for excitement, but the FBI got the final thrill.

    By Joel Warner

  • Seattle Weekly

    "Trash Fish"

    Chuck Bundrant built an unlikely seafood empire--with a little help from Alaska Senator Ted Stevens.

    By Laura Onstot

  • Village Voice

    The Transformation of Mike Bloomberg

    How a benevolent billionaire mayor ended up owning us all.

    By Wayne Barrett

Good Grief

Talented artist puts his tortured subjects through the wringer

By Lilia Menconi

Published on March 12, 2008 at 4:00am

You say you’re brokenhearted? Actually, it feels like someone shoved their arms down your throat, clutched your heart, and wrung it out like a dishrag. You gagged repeatedly until you barfed out your soul. Then the poor thing was slowly torched on a spit. Now all that’s left is a charred, crumpled creature. If you feel this way, you’ll find company at Eric Firestone Gallery, which is showing hauntingly beautiful papier-mâché sculptures by Tucson’s Michael Cajero.

Rendered with shreds of trashed paper that look like they’re covered with black mold, the figures in “Michael Cajero: We Need to Dream All This Again” cower and crawl all over the floor, walls, and ceiling. A decrepit, hideous woman with jagged, thick locks of hair smokes a cigarette while hunched over her protruding potbelly. A naked man writhes and twists as if his body is rotting from the inside out. A puny, emaciated dog trembles in the corner. The works are so poignant and understanding, they’ll reach out and touch your soul (or what’s left of it, anyway).


Feb. 7-March 15, 2008


Phoenix New Times Insiders

  • Local food, music and news blasts
  • Free Stuff
Backpage.com