Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

National Features >

  • Houston Press

    Hate to Say We Told You So

    A year before Toyota's massive recall, we published a lengthy investigation of problems with the Prius.

    By Paul Knight

  • Miami New Times

    Sex, Drugs, Gambling--and Football

    Heading to Miami for the Super Bowl? Don't leave the hotel without our guide to vice in the Magic City.

    By Michael J. Mooney and Gus Garcia-Roberts

  • City Pages

    Life in the Blue Zone

    Daredevil Dan Buettner's latest trick? Bringing the secrets of immortality to Minnesota.

    By Erin Carlyle

Cocteau Party

Backwards Theatre invokes the ghost of performance/art polyglot

Share

  • rss

By Steve Jansen

Published on March 26, 2008 at 4:01am

Chuck Taylor All-Stars, those venerable Converse sneakers, were once the cutting edge in athletic shoes. They've long since given way to NASA-level contraptions in competition arenas. Similarly, Jean Cocteau's contributions to art and performance might seem a little, well, quaint.

Backwards Theatre, a new avenue for experimental theater from preeminent Phoenix performance artist Jeff Falk, salutes the late French surrealist with Cocteau's Eyes. The evening of performance pieces showcases the use of language, imagery, and action in a way that draws from Cocteau's well of the classical avant-garde. Falk explains that "merely reproducing Cocteau's work might not be that interesting, but in his day, it was incredible." Cocteau was an art-hyphenate of his time, mesmerized by the complex interplay within language and communication. While he had no single masterpiece, La Voix Humaine (The Human Voice) -- which featured only one side of a telephone conversation -- comes close.

If that’s not enough for you, Falk, fresh from the New Genre Festival in Tulsa, Oklahoma, pares things down simply: "He was an innovator, so we like him."


Sat., March 29, 8 p.m., 2008