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  • Riverfront Times

    The Pope of Pork

    Old-school hog farming makes a comeback, thanks to some fine swine from Frankenstein.

    By Kristen Hinman

  • Broward-Palm Beach New Times

    The Lost Season

    Here's how you become one of those people who screams at his kid's coach.

    By Bob Norman

  • SF Weekly

    Border Crossers

    Transgender hookers with rap sheets are successfully fighting deportation--by asking for asylum.

    By Lauren Smiley

  • Houston Press

    Deadly Evidence

    First, Houston's DNA lab became a laughingstock. Then its controversial director was murdered.

    By Randall Patterson

No-Holds Bard

P.O.’d poet has some stuff he wants to get off his chest

By Steve Jansen

Published on March 26, 2008 at 4:01am

The Inevitable Rise and Liberation of NiggyTardust, the newest, Internet-only album by Saul Williams, may not be what fans expect from the accomplished writer, star of the 1998 movie Slam, and poet/musician. It’s more gritty, electronic-based, and, at times, even more pissed-off.

For that, we can thank Trent Reznor of Nine Inch Nails – who lends an anger-fueled production value to the effort. Effects such as funked-up guitar distortion and moody keyboard licks make the urban lyricist sound even more peeved. This is quite a feat, considering what the always outspoken Williams once said about the Bush administration: “I think that we have been misled by men with heartless agendas for way too long as a species.”


Fri., March 28, 7 p.m., 2008


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