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  • Riverfront Times

    Prized Fighter

    Boxing in St. Louis will never die--not as long as Kenny Loehr has a kid in the ring.

    By Kristen Hinman

  • Miami New Times

    Budget Ballin'

    South Florida's lawless exotic rental car industry keeps rolling.

    By Gus Garcia-Roberts

  • Houston Press

    Crime Doesn't Pay Back

    In Texas, restitution for victims is nothing but a state-sanctioned sham.

    By Chris Vogel

  • Seattle Weekly

    Hot and Frothy

    If you thought Seattle couldn't fetishize coffee any more, you haven't been to a "cupping" yet.

    By Jonathan Kauffman

Robyn

Robyn
(Konichiwa/Cherrytree/ Interscope)

By Michael Gallucci

Published on June 03, 2008 at 4:17pm

Way back in 1996, Robyn reached the Top 10 with "Do You Know (What It Takes)." She followed it up a year later with another big hit, "Show Me Love." Then she disappeared. This comeback album by the thin-voiced but spunky singer, who's now 28, was originally released three years ago in her native Sweden, and it remakes Robyn into many things — a hip-hop robot, a New Wave diva, and a bubbling pop machine, among them. Most of Robyn's songs crib their spare synth riffs and beeping beats from '80s club jams, while the hooks were most likely picked up during Robyn's tenure with pop mastermind Max Martin back in the day. Best: the bitchy smackdown "Handle Me," and "Be Mine!," which sounds exactly like one of those $18 videos MTV used to show in 1982. It's slick, sexy pop, crammed with songs about robot boys and bionic women. You know, like Robyn.


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