Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Foot Ox

It's Like Our Little Machine
(Distant Colony Records)

Share

  • rss

By Steve Jansen

Published on August 05, 2008 at 5:58pm

Attend a number of Foot Ox concerts, and you'll normally see project founder Teague Cullen, by himself, frantically running through a repertoire of singer-songwriter tunes about love and hope. His second album in as many years, It's Like Our Little Machine, slows things down a bit, leaving space for exceptional musicians such as cello player Aaron Neber, accordionist Andrew Jemsek, and Bri White on keys, backup vocals, and small instrument percussion. The effort features many of the songs from his live sets — such as "Above the Ocean," "I Am," and "Mary" — but with different twists in the form of an egg beater played in time and medicinal noise elements. The record's most eyebrow-raising moment occurs during "Cough Blood on the Moon Soon," when songwriter Kelly Sheridan spouts modern-day spoken word while backed by a tribal techno beat. It may be slightly out of place with the remainder of the disc, but the tune just adds that much more curiosity to a catchy, well-rounded record. This is stuff on the cutting edge of what's going on not only in Tempe and Phoenix but the nationwide folk-centric scene.