Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Phoenix's most popular hot spots.
user content provided by: LikeMe.net & Phoenix New Times

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Born Ruffians

Share

  • rss

By Chris Parker

Published on October 14, 2008 at 5:10pm

Born Ruffians, a nascent Toronto trio, move with mesmerizing twitch, shouting with childish abandon, as if they were Hot Hot Heat stuck in an elevator with the Go! Team. Frontman Luke Lalonde's guitar tone is thin and shrill, switching between jagged Pixies pulses and more lugubrious indie noodling, like that of Built to Spill. His boyish tenor croon flits acrobatically above the music, sounding very much like Isaac Brock when not joined by the backing vocals of his mates. With guitar used primarily for accent, the rhythm section really steers, particularly drummer Steven Hamelin, who can hit the shit out of his kit but generally adheres to a somewhat spare aesthetic. Lalonde's high-energy vocal gymnastics complement the herky-jerky rhythms, with the shouted choruses and brief melodious phrases providing a tensionless counterpoint. While Born Ruffians nicely distill the aforementioned influences into some effortlessly catchy rock, they're still in the process of forging a distinct personality. This prevents their debut (Red, Yellow, Blue) from being a real triumph, as the nervy, heart-pumping sound begins to wear and fray over the course of an entire album. Still, it's a promising start, stocked with hooks and assurance.