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National Features >
City Pages
Michele Bachmann, Unmuzzled
You don't need to read Sarah Palin's book to hear the ravings of a mad woman.
By Matt Snyders
Miami New Times
Pimp Daddy
The rise and fall of a chubby sex-cult leader.
By Natalie O'Neill
Riverfront Times
Babe 'n' Arms
Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.
By Nicholas Phillips
Dallas Observer
The Fight for Texas
Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.
By Sam Merten
The Gospel of Mork
America’s most manic comic returns
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By Julie Seabaugh
Published on February 11, 2009 at 4:08am
It’s not as if Robin Williams retired from standup once Hollywood came a-calling – unlike, say, Eddie Murphy – but the Actor Previously Known as Mork certainly seemed to disappear from the live stage after his juggernaut runs through’70s and ’80s Hollywood translated to Academy Award-caliber fame. Sure, Williams popped back up for 2002’s Live on Broadway trek and corresponding CD/DVD, but his current continuation of 2008’s highly personal Weapons of Self-Destruction theater run finds the manic impressionist as sharp and versatile as ever.
The Juilliard-trained actor/four-time Grammy winner/veritable force of nature unleashes his lightning-quick and occasionally head-scratchingly absurd free-association assaults at Dodge Theatre.
Fri., Feb. 13, 8 p.m.; Sat., Feb. 14, 8 p.m., 2009
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