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    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

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    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Polar Bear Club

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By Chris Parker

Published on May 05, 2009 at 11:35am

Despite a moment in the sun, screamo increasingly appears a failed experiment without the undying appeal of chocolate in your peanut butter. Blending hardcore aggression with emo's pop impulse didn't produce a juggernaut with heart, but a conflicted creature unable to satisfy either impulse. Recent arrivals Polar Bear Club attempt to modify the formula, offering gruff bellows rather than yelping, alternated frequently with strong vocal melodies over hard-edged hooks couched in muscular post-punk angularity. The Rochester quintet demonstrates more facility with a hook than most of their brethren, sounding like Taking Back Sunday with sharper corners. Their debut LP, Sometimes Things Just Disappear, gets closer to lift-off than the Spruce Goose but still fails to reinvent the power ballad. However, the admirable effort might just achieve the stated aim of "Our Ballads" to "separate all the girls from the boys," or at least the boys from those still wearing mascara and girls' jeans.