Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Whisper Track

Share

  • rss

Published on May 20, 2009 at 4:01am

"Avant-garde" isn't the most appropriate label to place on eco new music percussionist Jeph Jerman and his approach to producing sound. Sure, his uniquely captured artistry — which doesn't rely upon popular time signatures, written notations, and detectable meter — can be placed in the, ahem, "acquired taste" category. But Jerman is ultimately capturing "found sound" that our ears can tune into each day if we are willing to slow down and really listen. The Cottonwood-based sound artist scavenges the Southwest for his organic instruments, including pinecones, rocks, feathers, twigs, and dirt, which he records with the aid of contact mics, sculpting meditative white noise collages that explore antediluvian principles. His exhaustive and impressive recorded output of solo and ensemble projects (check out www.jerman.littleenjoyer.com) demonstrates the artist's pensive view of life and music. From live tape, loop-based gigs and sonic imprints of droning telephone wires to the conceptual Animist Orchestra and a two-volume set about ghost towns and abandoned buildings, Jerman re-creates a prehistoric time when sound was pure and unclassified. His rare Phoenix appearance will feature the rustic playing (no amplification) of natural matter, thus providing an organic soundtrack for our lives that the playlist function on an iPod can never achieve.
Tue., May 26, 8 p.m., 2009